Overall rating: 4.5945945 / 5 from 74 reviews.

AI Generated Review Summary

FilmVision Pro offers a versatile color grading solution that accurately replicates the look of digitized negative-to-print film. It combines a film emulation pipeline with cinema-grade looks for both authentic and creative results. Users appreciate its powerful grading capabilities and film-like appearance.

Summary topics

  • Powerful Grading: 12%
  • Film-like Appearance: 28%

Review topics: [].

Review highlights

  • "Looks so good with my footage, gives a true nostalgic feel"malin g.
  • "SERR's filmvision powergrade definitely is the easiest to navigate and understand in terms of reaching a specific look!"Daniel G.
  • "My shots are looking so much nicer now."Gaspard

Reviews

Amazing

"An extensive colour correction and grading bundle beyond just the novelty of film emulation. The amount of looks you can create through this pack is staggering."

Mitchell C. (5/5)

top tier

"The free version was already great… with the pro version, even better. Have been a fan of Serr for a while now"

Matheus P. (5/5)

"there are several areas that could be improved. Skin tones can occasionally become overly warm, while the teal/cyan treatment in skies and shadows may feel too strong in certain scenes. Results are not always consistent across different camera brands and color spaces, often requiring additional adjustments. The PowerGrade can also crush shadow detail, mute greens, and produce highlight roll-off that appears harsh with some footage. To achieve the intended look, users frequently need to fine-tune exposure and white balance beforehand. Additionally, the node structure may be challenging for newer DaVinci Resolve users to understand and customize, and more comprehensive documentation on recommended camera settings, color management workflows, and exposure guidelines would help users achieve more consistent results. greater flexibility, consistency, and user guidance would further enhance the experience."

Ganesh (1/5)

Not what expected

"There should be a tutorial for FCP for this."

Jose Q. (4/5)

Good

"love it"

Karma G. (5/5)

Amazing!

"Love this power grade!"

Luis C. (5/5)

amazing

"really good. finally understand grading"

Uchechi A. (5/5)

All we need !

"This Film emulation powergrade is the perfect one ! Huge flexibilty, so many creative look, and the feeling to be fully creative. Thanks !"

Yohan F. (5/5)

These are the LUTs I use

"When asked if I’d write a review, I looked at which LUTs—of the three dozen I’d whittled down to—I use virtually exclusively (on my iPhone 17 Pro). Six (and a sixth) of them are FV 2 Rec. 709 (and variant) conversion LUTs. So, yes I’d rate these five stars."

Marc M. (5/5)

Lite is lite

"I really enjoy what the lite pro has been doing for my video. It gives me 80% of a real cinema look with 5% of the effort. Extremely worth it for the price. It's 4 stars and not 5 because I simply wish we would have gotten a little more of the pro package. At some point I intend to upgrade to full package."

Michael G. (4/5)

Q&A

Good day, Thank you so much for these amazing tools, I've seen you mention updates for Film Vision Pro as well as a discord channel As a Film Vision Pro owner, I did not receive the discord channel invite after purchase, is there a way I can gain access to the updates or the discord channel perhaps? Chat soon
Hey Damiane! Please reach out to us via e-mail at hello@shopmoment.com and we'll send you the discord link! Szabi - Gear Guide
Hi, i'm searching for new in camera LUTS for my Arri mini LF. Are these compatible? As in can i properly convert them to .aml files with for example lattice? Thx!
Hey Chris! These LUTs primarily come in a .CUBE file format which is the most popular lut format. But these .Cube Monitoring LUT files can be converted to .AML files in Lattice. Lattice does support the conversion of these luts. And then it imported and installed into your Arri Mini LF. Rahul - Gear Guide
Hi, I just purchased the FilmVision II DavinciPowergrade and I put my project settings as the video explains and I choose the LUT for my SLog3 and the Color Transform it doesn't happen. How can I resolve this issue?
Hey Salam! Have you made sure that your LUTs are perfectly installed inside DaVinci? Please go to: Project Settings—Color Management—Open LUTs folder—Paste LUTs— Click on Update Lists—Save. Other workaround is using a new CST node before the color transform and bringing the footage from Slog3 to ArriLogC3 and then using the FV2 ArriLogC3 lut instead. If you need anything else, please reach out to us on hello@shopmoment.com and we will help you. Rahul - Gear Guide
Hi, I am planning to purchase this product, but I work mainly in DaVinci Resolve on iPad Pro. Could you please let me know if FilmVision Pro is fully compatible with the iPad version of DaVinci Resolve? Will all features (PowerGrades, grain, halation, effects) work the same way as on the desktop version, or are there any limitations on iPad? Thank you in advance for the clarification.
Hey Yaro! We’ve reached out to the creator to get clarification on whether the iPad version of DaVinci Resolve has any limitations when using FilmVision Pro, and whether all features function the same as on the desktop version.
Hi! Does FilmVision pro support the new Apple Log 2 in Davinci resolve studio?
Hey Sam! FilmVision Pro doesn’t currently include dedicated support for Apple Log 2. We’re also keeping an eye on updates from Serr, so Apple Log 2 support may be added in the future.

Overall rating: 4.5945945 / 5 from 74 reviews.

AI Generated Review Summary

FilmVision Pro offers a versatile color grading solution that accurately replicates the look of digitized negative-to-print film. It combines a film emulation pipeline with cinema-grade looks for both authentic and creative results. Users appreciate its powerful grading capabilities and film-like appearance.

Summary topics

  • Powerful Grading: 12%
  • Film-like Appearance: 28%

Review topics: [].

Review highlights

  • "Looks so good with my footage, gives a true nostalgic feel"malin g.
  • "SERR's filmvision powergrade definitely is the easiest to navigate and understand in terms of reaching a specific look!"Daniel G.
  • "My shots are looking so much nicer now."Gaspard

Reviews

Amazing

"An extensive colour correction and grading bundle beyond just the novelty of film emulation. The amount of looks you can create through this pack is staggering."

Mitchell C. (5/5)

top tier

"The free version was already great… with the pro version, even better. Have been a fan of Serr for a while now"

Matheus P. (5/5)

"there are several areas that could be improved. Skin tones can occasionally become overly warm, while the teal/cyan treatment in skies and shadows may feel too strong in certain scenes. Results are not always consistent across different camera brands and color spaces, often requiring additional adjustments. The PowerGrade can also crush shadow detail, mute greens, and produce highlight roll-off that appears harsh with some footage. To achieve the intended look, users frequently need to fine-tune exposure and white balance beforehand. Additionally, the node structure may be challenging for newer DaVinci Resolve users to understand and customize, and more comprehensive documentation on recommended camera settings, color management workflows, and exposure guidelines would help users achieve more consistent results. greater flexibility, consistency, and user guidance would further enhance the experience."

Ganesh (1/5)

Not what expected

"There should be a tutorial for FCP for this."

Jose Q. (4/5)

Good

"love it"

Karma G. (5/5)

Amazing!

"Love this power grade!"

Luis C. (5/5)

amazing

"really good. finally understand grading"

Uchechi A. (5/5)

All we need !

"This Film emulation powergrade is the perfect one ! Huge flexibilty, so many creative look, and the feeling to be fully creative. Thanks !"

Yohan F. (5/5)

These are the LUTs I use

"When asked if I’d write a review, I looked at which LUTs—of the three dozen I’d whittled down to—I use virtually exclusively (on my iPhone 17 Pro). Six (and a sixth) of them are FV 2 Rec. 709 (and variant) conversion LUTs. So, yes I’d rate these five stars."

Marc M. (5/5)

Lite is lite

"I really enjoy what the lite pro has been doing for my video. It gives me 80% of a real cinema look with 5% of the effort. Extremely worth it for the price. It's 4 stars and not 5 because I simply wish we would have gotten a little more of the pro package. At some point I intend to upgrade to full package."

Michael G. (4/5)

Q&A

Good day, Thank you so much for these amazing tools, I've seen you mention updates for Film Vision Pro as well as a discord channel As a Film Vision Pro owner, I did not receive the discord channel invite after purchase, is there a way I can gain access to the updates or the discord channel perhaps? Chat soon
Hey Damiane! Please reach out to us via e-mail at hello@shopmoment.com and we'll send you the discord link! Szabi - Gear Guide
Hi, i'm searching for new in camera LUTS for my Arri mini LF. Are these compatible? As in can i properly convert them to .aml files with for example lattice? Thx!
Hey Chris! These LUTs primarily come in a .CUBE file format which is the most popular lut format. But these .Cube Monitoring LUT files can be converted to .AML files in Lattice. Lattice does support the conversion of these luts. And then it imported and installed into your Arri Mini LF. Rahul - Gear Guide
Hi, I just purchased the FilmVision II DavinciPowergrade and I put my project settings as the video explains and I choose the LUT for my SLog3 and the Color Transform it doesn't happen. How can I resolve this issue?
Hey Salam! Have you made sure that your LUTs are perfectly installed inside DaVinci? Please go to: Project Settings—Color Management—Open LUTs folder—Paste LUTs— Click on Update Lists—Save. Other workaround is using a new CST node before the color transform and bringing the footage from Slog3 to ArriLogC3 and then using the FV2 ArriLogC3 lut instead. If you need anything else, please reach out to us on hello@shopmoment.com and we will help you. Rahul - Gear Guide
Hi, I am planning to purchase this product, but I work mainly in DaVinci Resolve on iPad Pro. Could you please let me know if FilmVision Pro is fully compatible with the iPad version of DaVinci Resolve? Will all features (PowerGrades, grain, halation, effects) work the same way as on the desktop version, or are there any limitations on iPad? Thank you in advance for the clarification.
Hey Yaro! We’ve reached out to the creator to get clarification on whether the iPad version of DaVinci Resolve has any limitations when using FilmVision Pro, and whether all features function the same as on the desktop version.
Hi! Does FilmVision pro support the new Apple Log 2 in Davinci resolve studio?
Hey Sam! FilmVision Pro doesn’t currently include dedicated support for Apple Log 2. We’re also keeping an eye on updates from Serr, so Apple Log 2 support may be added in the future.

Overall rating: 4.5945945 / 5 from 74 reviews.

AI Generated Review Summary

FilmVision Pro offers a versatile color grading solution that accurately replicates the look of digitized negative-to-print film. It combines a film emulation pipeline with cinema-grade looks for both authentic and creative results. Users appreciate its powerful grading capabilities and film-like appearance.

Summary topics

  • Powerful Grading: 12%
  • Film-like Appearance: 28%

Review topics: [].

Review highlights

  • "Looks so good with my footage, gives a true nostalgic feel"malin g.
  • "SERR's filmvision powergrade definitely is the easiest to navigate and understand in terms of reaching a specific look!"Daniel G.
  • "My shots are looking so much nicer now."Gaspard

Reviews

Amazing

"An extensive colour correction and grading bundle beyond just the novelty of film emulation. The amount of looks you can create through this pack is staggering."

Mitchell C. (5/5)

top tier

"The free version was already great… with the pro version, even better. Have been a fan of Serr for a while now"

Matheus P. (5/5)

"there are several areas that could be improved. Skin tones can occasionally become overly warm, while the teal/cyan treatment in skies and shadows may feel too strong in certain scenes. Results are not always consistent across different camera brands and color spaces, often requiring additional adjustments. The PowerGrade can also crush shadow detail, mute greens, and produce highlight roll-off that appears harsh with some footage. To achieve the intended look, users frequently need to fine-tune exposure and white balance beforehand. Additionally, the node structure may be challenging for newer DaVinci Resolve users to understand and customize, and more comprehensive documentation on recommended camera settings, color management workflows, and exposure guidelines would help users achieve more consistent results. greater flexibility, consistency, and user guidance would further enhance the experience."

Ganesh (1/5)

Not what expected

"There should be a tutorial for FCP for this."

Jose Q. (4/5)

Good

"love it"

Karma G. (5/5)

Amazing!

"Love this power grade!"

Luis C. (5/5)

amazing

"really good. finally understand grading"

Uchechi A. (5/5)

All we need !

"This Film emulation powergrade is the perfect one ! Huge flexibilty, so many creative look, and the feeling to be fully creative. Thanks !"

Yohan F. (5/5)

These are the LUTs I use

"When asked if I’d write a review, I looked at which LUTs—of the three dozen I’d whittled down to—I use virtually exclusively (on my iPhone 17 Pro). Six (and a sixth) of them are FV 2 Rec. 709 (and variant) conversion LUTs. So, yes I’d rate these five stars."

Marc M. (5/5)

Lite is lite

"I really enjoy what the lite pro has been doing for my video. It gives me 80% of a real cinema look with 5% of the effort. Extremely worth it for the price. It's 4 stars and not 5 because I simply wish we would have gotten a little more of the pro package. At some point I intend to upgrade to full package."

Michael G. (4/5)

Q&A

Good day, Thank you so much for these amazing tools, I've seen you mention updates for Film Vision Pro as well as a discord channel As a Film Vision Pro owner, I did not receive the discord channel invite after purchase, is there a way I can gain access to the updates or the discord channel perhaps? Chat soon
Hey Damiane! Please reach out to us via e-mail at hello@shopmoment.com and we'll send you the discord link! Szabi - Gear Guide
Hi, i'm searching for new in camera LUTS for my Arri mini LF. Are these compatible? As in can i properly convert them to .aml files with for example lattice? Thx!
Hey Chris! These LUTs primarily come in a .CUBE file format which is the most popular lut format. But these .Cube Monitoring LUT files can be converted to .AML files in Lattice. Lattice does support the conversion of these luts. And then it imported and installed into your Arri Mini LF. Rahul - Gear Guide
Hi, I just purchased the FilmVision II DavinciPowergrade and I put my project settings as the video explains and I choose the LUT for my SLog3 and the Color Transform it doesn't happen. How can I resolve this issue?
Hey Salam! Have you made sure that your LUTs are perfectly installed inside DaVinci? Please go to: Project Settings—Color Management—Open LUTs folder—Paste LUTs— Click on Update Lists—Save. Other workaround is using a new CST node before the color transform and bringing the footage from Slog3 to ArriLogC3 and then using the FV2 ArriLogC3 lut instead. If you need anything else, please reach out to us on hello@shopmoment.com and we will help you. Rahul - Gear Guide
Hi, I am planning to purchase this product, but I work mainly in DaVinci Resolve on iPad Pro. Could you please let me know if FilmVision Pro is fully compatible with the iPad version of DaVinci Resolve? Will all features (PowerGrades, grain, halation, effects) work the same way as on the desktop version, or are there any limitations on iPad? Thank you in advance for the clarification.
Hey Yaro! We’ve reached out to the creator to get clarification on whether the iPad version of DaVinci Resolve has any limitations when using FilmVision Pro, and whether all features function the same as on the desktop version.
Hi! Does FilmVision pro support the new Apple Log 2 in Davinci resolve studio?
Hey Sam! FilmVision Pro doesn’t currently include dedicated support for Apple Log 2. We’re also keeping an eye on updates from Serr, so Apple Log 2 support may be added in the future.

Redirecting...

Click here if you are not automically redirected.