Overall rating: 4.5945945 / 5 from 74 reviews.

AI Generated Review Summary

FilmVision V2 Powergrade offers a true film emulation for digital footage, providing a familiar workflow for those who have shot motion picture film. Users can achieve a Kodak Vision3 500T/250D look quickly and flexibly, with full control over the final look. It is highly accurate and compatible only with the paid version of Davinci Resolve.

Summary topics

  • Film-like Appearance: 28%
  • Powergrade Quality: 12%

Review topics: [].

Review highlights

  • "Looks so good with my footage, gives a true nostalgic feel"malin g.
  • "SERR's filmvision powergrade definitely is the easiest to navigate and understand in terms of reaching a specific look!"Daniel G.
  • "Finally a good ahh soo the best film emulation by the star SERR."Shiva

Reviews

Amazing

"An extensive colour correction and grading bundle beyond just the novelty of film emulation. The amount of looks you can create through this pack is staggering."

Mitchell C. (5/5)

top tier

"The free version was already great… with the pro version, even better. Have been a fan of Serr for a while now"

Matheus P. (5/5)

"there are several areas that could be improved. Skin tones can occasionally become overly warm, while the teal/cyan treatment in skies and shadows may feel too strong in certain scenes. Results are not always consistent across different camera brands and color spaces, often requiring additional adjustments. The PowerGrade can also crush shadow detail, mute greens, and produce highlight roll-off that appears harsh with some footage. To achieve the intended look, users frequently need to fine-tune exposure and white balance beforehand. Additionally, the node structure may be challenging for newer DaVinci Resolve users to understand and customize, and more comprehensive documentation on recommended camera settings, color management workflows, and exposure guidelines would help users achieve more consistent results. greater flexibility, consistency, and user guidance would further enhance the experience."

Ganesh (1/5)

Not what expected

"There should be a tutorial for FCP for this."

Jose Q. (4/5)

Good

"love it"

Karma G. (5/5)

Amazing!

"Love this power grade!"

Luis C. (5/5)

amazing

"really good. finally understand grading"

Uchechi A. (5/5)

All we need !

"This Film emulation powergrade is the perfect one ! Huge flexibilty, so many creative look, and the feeling to be fully creative. Thanks !"

Yohan F. (5/5)

These are the LUTs I use

"When asked if I’d write a review, I looked at which LUTs—of the three dozen I’d whittled down to—I use virtually exclusively (on my iPhone 17 Pro). Six (and a sixth) of them are FV 2 Rec. 709 (and variant) conversion LUTs. So, yes I’d rate these five stars."

Marc M. (5/5)

Lite is lite

"I really enjoy what the lite pro has been doing for my video. It gives me 80% of a real cinema look with 5% of the effort. Extremely worth it for the price. It's 4 stars and not 5 because I simply wish we would have gotten a little more of the pro package. At some point I intend to upgrade to full package."

Michael G. (4/5)

Q&A

Hey, i was wondering since i am new to using davinci if the 3 halation methods mentioned in the video work with the free version of davinci
Hey Konstantinos! For full functionality and access to all the tools/features used in the tutorial, you’ll likely need the full/paid version of DaVinci Resolve. Szabi - Gear Guide
Hi, I have DJI Osmo Pocket 3. It has D-LogM and HLG color profile options. Is this FilmVision V2 Powergrade usable with D-logM and HLG?
Hey Ar! Yes, the FilmVision V2 Powergrade can work with DLogM and HLG, but you will just have do an extra step in the beginning since there is no dedicated LUT for DlogM or HLG in the Powergrade. In the “Lab Scan” node, you need to create a new CST node at the start after the Halation node and before the LUT node. For DLogM, in CST, you need to select Input Colorspace as DJI D-Gamut, Input Gamma as Rec709(since DLogM is not true log), Output Colorspace as Arri Wide Gamut 3 and Output Gamma as ArriLogC3. For HLG footage, the Input colorspace should be Rec2100 and the Input Gamma should be Rec2100 HLG. And the Output Colorspace same as before, as Arri Wide Gamut 3 and Output Gamma as ArriLogC3. And then use the LUT corresponding to FV V2 ArriLogC3 in the 3rd LUT node in the powergrade. Rahul - Gear Guide
No PayPal? I don't have any of the options shown.
Hey Wing! Currently, we don't accept PayPal. The only recommendation we can offer is to use a different card. Szabi - Gear Guide
Is it works on flog2 perfectly?
Hey Ali! There is Flog-2 Lut, so it's perfectly compatible. Szabi - Gear Guide
Can I use this on Pocket 3 - DlogM? Thanks.
Hey Cole! You can also check the FilmVision V2 LUT Pack which is also compatible the D-log M picture profile. You'd still need to make some minimal adjustments and play with curves and white balance to get the look you want. There are tons of options and it really comes down to your style and how you want the footage to look. Szabi - Gear Guide

Overall rating: 4.5945945 / 5 from 74 reviews.

AI Generated Review Summary

FilmVision V2 Powergrade offers a true film emulation for digital footage, providing a familiar workflow for those who have shot motion picture film. Users can achieve a Kodak Vision3 500T/250D look quickly and flexibly, with full control over the final look. It is highly accurate and compatible only with the paid version of Davinci Resolve.

Summary topics

  • Film-like Appearance: 28%
  • Powergrade Quality: 12%

Review topics: [].

Review highlights

  • "Looks so good with my footage, gives a true nostalgic feel"malin g.
  • "SERR's filmvision powergrade definitely is the easiest to navigate and understand in terms of reaching a specific look!"Daniel G.
  • "Finally a good ahh soo the best film emulation by the star SERR."Shiva

Reviews

Amazing

"An extensive colour correction and grading bundle beyond just the novelty of film emulation. The amount of looks you can create through this pack is staggering."

Mitchell C. (5/5)

top tier

"The free version was already great… with the pro version, even better. Have been a fan of Serr for a while now"

Matheus P. (5/5)

"there are several areas that could be improved. Skin tones can occasionally become overly warm, while the teal/cyan treatment in skies and shadows may feel too strong in certain scenes. Results are not always consistent across different camera brands and color spaces, often requiring additional adjustments. The PowerGrade can also crush shadow detail, mute greens, and produce highlight roll-off that appears harsh with some footage. To achieve the intended look, users frequently need to fine-tune exposure and white balance beforehand. Additionally, the node structure may be challenging for newer DaVinci Resolve users to understand and customize, and more comprehensive documentation on recommended camera settings, color management workflows, and exposure guidelines would help users achieve more consistent results. greater flexibility, consistency, and user guidance would further enhance the experience."

Ganesh (1/5)

Not what expected

"There should be a tutorial for FCP for this."

Jose Q. (4/5)

Good

"love it"

Karma G. (5/5)

Amazing!

"Love this power grade!"

Luis C. (5/5)

amazing

"really good. finally understand grading"

Uchechi A. (5/5)

All we need !

"This Film emulation powergrade is the perfect one ! Huge flexibilty, so many creative look, and the feeling to be fully creative. Thanks !"

Yohan F. (5/5)

These are the LUTs I use

"When asked if I’d write a review, I looked at which LUTs—of the three dozen I’d whittled down to—I use virtually exclusively (on my iPhone 17 Pro). Six (and a sixth) of them are FV 2 Rec. 709 (and variant) conversion LUTs. So, yes I’d rate these five stars."

Marc M. (5/5)

Lite is lite

"I really enjoy what the lite pro has been doing for my video. It gives me 80% of a real cinema look with 5% of the effort. Extremely worth it for the price. It's 4 stars and not 5 because I simply wish we would have gotten a little more of the pro package. At some point I intend to upgrade to full package."

Michael G. (4/5)

Q&A

Hey, i was wondering since i am new to using davinci if the 3 halation methods mentioned in the video work with the free version of davinci
Hey Konstantinos! For full functionality and access to all the tools/features used in the tutorial, you’ll likely need the full/paid version of DaVinci Resolve. Szabi - Gear Guide
Hi, I have DJI Osmo Pocket 3. It has D-LogM and HLG color profile options. Is this FilmVision V2 Powergrade usable with D-logM and HLG?
Hey Ar! Yes, the FilmVision V2 Powergrade can work with DLogM and HLG, but you will just have do an extra step in the beginning since there is no dedicated LUT for DlogM or HLG in the Powergrade. In the “Lab Scan” node, you need to create a new CST node at the start after the Halation node and before the LUT node. For DLogM, in CST, you need to select Input Colorspace as DJI D-Gamut, Input Gamma as Rec709(since DLogM is not true log), Output Colorspace as Arri Wide Gamut 3 and Output Gamma as ArriLogC3. For HLG footage, the Input colorspace should be Rec2100 and the Input Gamma should be Rec2100 HLG. And the Output Colorspace same as before, as Arri Wide Gamut 3 and Output Gamma as ArriLogC3. And then use the LUT corresponding to FV V2 ArriLogC3 in the 3rd LUT node in the powergrade. Rahul - Gear Guide
No PayPal? I don't have any of the options shown.
Hey Wing! Currently, we don't accept PayPal. The only recommendation we can offer is to use a different card. Szabi - Gear Guide
Is it works on flog2 perfectly?
Hey Ali! There is Flog-2 Lut, so it's perfectly compatible. Szabi - Gear Guide
Can I use this on Pocket 3 - DlogM? Thanks.
Hey Cole! You can also check the FilmVision V2 LUT Pack which is also compatible the D-log M picture profile. You'd still need to make some minimal adjustments and play with curves and white balance to get the look you want. There are tons of options and it really comes down to your style and how you want the footage to look. Szabi - Gear Guide

Overall rating: 4.5945945 / 5 from 74 reviews.

AI Generated Review Summary

FilmVision V2 Powergrade offers a true film emulation for digital footage, providing a familiar workflow for those who have shot motion picture film. Users can achieve a Kodak Vision3 500T/250D look quickly and flexibly, with full control over the final look. It is highly accurate and compatible only with the paid version of Davinci Resolve.

Summary topics

  • Film-like Appearance: 28%
  • Powergrade Quality: 12%

Review topics: [].

Review highlights

  • "Looks so good with my footage, gives a true nostalgic feel"malin g.
  • "SERR's filmvision powergrade definitely is the easiest to navigate and understand in terms of reaching a specific look!"Daniel G.
  • "Finally a good ahh soo the best film emulation by the star SERR."Shiva

Reviews

Amazing

"An extensive colour correction and grading bundle beyond just the novelty of film emulation. The amount of looks you can create through this pack is staggering."

Mitchell C. (5/5)

top tier

"The free version was already great… with the pro version, even better. Have been a fan of Serr for a while now"

Matheus P. (5/5)

"there are several areas that could be improved. Skin tones can occasionally become overly warm, while the teal/cyan treatment in skies and shadows may feel too strong in certain scenes. Results are not always consistent across different camera brands and color spaces, often requiring additional adjustments. The PowerGrade can also crush shadow detail, mute greens, and produce highlight roll-off that appears harsh with some footage. To achieve the intended look, users frequently need to fine-tune exposure and white balance beforehand. Additionally, the node structure may be challenging for newer DaVinci Resolve users to understand and customize, and more comprehensive documentation on recommended camera settings, color management workflows, and exposure guidelines would help users achieve more consistent results. greater flexibility, consistency, and user guidance would further enhance the experience."

Ganesh (1/5)

Not what expected

"There should be a tutorial for FCP for this."

Jose Q. (4/5)

Good

"love it"

Karma G. (5/5)

Amazing!

"Love this power grade!"

Luis C. (5/5)

amazing

"really good. finally understand grading"

Uchechi A. (5/5)

All we need !

"This Film emulation powergrade is the perfect one ! Huge flexibilty, so many creative look, and the feeling to be fully creative. Thanks !"

Yohan F. (5/5)

These are the LUTs I use

"When asked if I’d write a review, I looked at which LUTs—of the three dozen I’d whittled down to—I use virtually exclusively (on my iPhone 17 Pro). Six (and a sixth) of them are FV 2 Rec. 709 (and variant) conversion LUTs. So, yes I’d rate these five stars."

Marc M. (5/5)

Lite is lite

"I really enjoy what the lite pro has been doing for my video. It gives me 80% of a real cinema look with 5% of the effort. Extremely worth it for the price. It's 4 stars and not 5 because I simply wish we would have gotten a little more of the pro package. At some point I intend to upgrade to full package."

Michael G. (4/5)

Q&A

Hey, i was wondering since i am new to using davinci if the 3 halation methods mentioned in the video work with the free version of davinci
Hey Konstantinos! For full functionality and access to all the tools/features used in the tutorial, you’ll likely need the full/paid version of DaVinci Resolve. Szabi - Gear Guide
Hi, I have DJI Osmo Pocket 3. It has D-LogM and HLG color profile options. Is this FilmVision V2 Powergrade usable with D-logM and HLG?
Hey Ar! Yes, the FilmVision V2 Powergrade can work with DLogM and HLG, but you will just have do an extra step in the beginning since there is no dedicated LUT for DlogM or HLG in the Powergrade. In the “Lab Scan” node, you need to create a new CST node at the start after the Halation node and before the LUT node. For DLogM, in CST, you need to select Input Colorspace as DJI D-Gamut, Input Gamma as Rec709(since DLogM is not true log), Output Colorspace as Arri Wide Gamut 3 and Output Gamma as ArriLogC3. For HLG footage, the Input colorspace should be Rec2100 and the Input Gamma should be Rec2100 HLG. And the Output Colorspace same as before, as Arri Wide Gamut 3 and Output Gamma as ArriLogC3. And then use the LUT corresponding to FV V2 ArriLogC3 in the 3rd LUT node in the powergrade. Rahul - Gear Guide
No PayPal? I don't have any of the options shown.
Hey Wing! Currently, we don't accept PayPal. The only recommendation we can offer is to use a different card. Szabi - Gear Guide
Is it works on flog2 perfectly?
Hey Ali! There is Flog-2 Lut, so it's perfectly compatible. Szabi - Gear Guide
Can I use this on Pocket 3 - DlogM? Thanks.
Hey Cole! You can also check the FilmVision V2 LUT Pack which is also compatible the D-log M picture profile. You'd still need to make some minimal adjustments and play with curves and white balance to get the look you want. There are tons of options and it really comes down to your style and how you want the footage to look. Szabi - Gear Guide

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